Green Street in 1969
The first loft I lived in was on the north side of Broome Street, between Crosby and Lafayette. I sublet it for the summer of 1969 from an artist by the name of Jack Whitten.
Grindstone
Labor History Happening Now
Your editor forwarded on the following passages from an informative piece by Michael Tomasky to First‘s…labor caucus:
Nobody seems to have noticed this, but over the course of the spring, the country’s four leading freight rail carriers agreed to grant the vast majority of their workers paid sick days.
Everybody remembers what happened last December. The workers threatened to strike over such days, among other issues. President Biden, generally very friendly toward labor, made it illegal for the workers to strike. He was criticized by unions and workers and fellow Democrats and liberal media outlets, this one included.
None of that criticism was wrong at the time. But it wasn’t the end of the story.
“Structuring Participation”: Class Matters Podcast with Jane McAlevey
Forget Succession. If you want drama (and spicy talk), listen in to the latest Class Matters podcast. Episode 12 (link below) features Jane McAlevey who is prompted by Katherine Isaac, Gordon Lafer, and Adolph Reed Jr. to explain (1) how the work of organizing jumps off in earnest AFTER a union wins a certification election. (Getting to a first union contract is hard.) (2) how the health of any union depends on constant engagement with workers as a collective body, not as atomized figures in one-on-one grievance proceedings (3) how real democracy in a union or anywhere rests on “structuring participation.”
Dialectical Imagination (Prerequisite)
Tom Conway, President of the United Steelworkers, and Rabbits, a 21st C. Wobbly from Northumbria, offer incongruous angles on labor struggles in the American South and the UK.
Bread and Freedom
This talk was included in the collection, Resistance, Rebellion and Death (1961), published after Camus’s death. It originally appeared (per the Anarchist Library) as “Restaurer la valeur de la liberté” (“Restoring the value of freedom”) in the September 1953 issue of La Révolution Prolétarienne, a French syndicalist journal. The title was changed when it was reprinted later the same year. “Bread and Freedom,” incidentally, was also the title of the Russian translation of Kropotkin’s The Conquest of Bread.
You Made Beauty a Monster to Me
..I took the train to Sacramento. I thought about killers and about their victims, too. I thought about how I must be the only whore and the only romantic (which is to say, the only detective) on the entire train, or at least in my compartment. Did that mean the rest of the train was full of killers, or, at least, of accomplices? I was on my way to spend the weekend with Harvey. We had a small fight before I left, because my top surgery was coming up, and I said that if I couldn’t get the surgery I’d probably kill myself, and they said that was obsessive, they were worried about me, and I said but that’s why I’m getting the surgery, so I don’t have to kill myself, so I can be happy. It took me a long time to realize that I live, more than most people, entirely by instinct, in the murky sea of my instincts (my oceanic body), and that I never weigh the pros and cons of my actions, never think deductively, never imagine the forking paths my life could take, though in retrospect those paths, those labyrinths, become objects of dread and fascination (or is it that, instead of paths, life-in-retrospect becomes nothing but a series of crumbling, hallucinatory towers, a drowned dream, a womb that’s also a grave?) My reality is my body, and the other way around. When I was younger, I thought this meant I didn’t have dreams, since I didn’t have plans, bourgeois plans, but in fact it meant I was a consummate dreamer, that I dreamt with my eyes open. I became an alcoholic for twenty years entirely in an instant, without premeditation, just like I moved to South America for no real reason, or for entirely romantic reasons, just like I let Rebecca move in with me after our first date, just like one day I started taking hormones without thinking about it. I feel bad for people who aren’t like this, like me. I feel closer to a flower, a supernova, a subway schizophrenic, than to a res cogitans, a thinking thing. On the train, I read No Longer Human by Osamu Dazai and watched the sunset.
The City of Brotherly Love’s Brotherly Union: Ben Fletcher and Local 8
Anatole Dolgoff tried to give the great labor organizer, Ben Fletcher, his due in this First post. Dolgoff, who’s in his mid-eighties, worried that Fletcher’s legacy was at risk of being lost. Perhaps this next post, by a twenty-year old, will help put Dolgoff’s mind at ease…
Mayday Duo: “How I Became an Anarchist” and “A Theory of Everything”
Heresies: Anarchist Memoirs, Anarchist Art, by the late Peter Lamborn Wilson is a book in two parts. First comes reminiscences, rants and raps about anarchist theory and (in)activism. The second half of the volume consists of essays on Symbolism, alchemy and anarchism in the arts. (Your editor is hot to run the pages on Gauguin!) What follows are two chapters from the first swatch of Heresies…
How I Became An Anarchist
When I was 12 or 13, I wanted to be a cartoonist and I worshiped Krazy Kat, greatest of all comic strips: surrealist, mystical, Romantic slapstick about perverse love (across not only gender but species) and criminal anarchy: quantum weirdness and genderfuck written in slang poetry and drawn with slapdash-taoist panache by African-American artist George Herriman.
Union
They’ll fire us after we’ve been
at the company a certain amount of time,
to bring in fresh employees who haven’t been
ground up yet, who haven’t been sliced up
and turned into meat with plastic covers
over us to feed to their customers yet,
who haven’t burned out yet, as if the job were
a kind of fire, and we were the kindling, or as if the job
were a kind of crop circle and we were the corn
that teenage aliens doodle their graffiti on for a purpose
that’s beyond us, for a purpose we are told
to believe in, and I too am angered by employees
who tend too slowly to my needs, who peer
mole-y eyed at me from stacks of paperwork at the
DMV, or who squeak mole-y voiced at me from
burrowing too long into the twisted tunnels of a phone,
angered at them for not being paid enough
to know English, or how to turn on my
cable, so I can watch rich beautiful people
with no problems fail to fix their personalities,
or watch an exposé on how people are
already hard at work doing nothing to fix
problems much bigger than mine, like wrestlers
paying for their own brain damage,
or a community developing cancer trying to
blow out their favorite flaming river,
but it’s easy to be bitter, and it’s hard to join
a union, to show up to the meetings,
sign your name to the list, stick your neck
far, far out from its shell, so others
will stick out their necks from their shells,
until we are a field of necks too numerous to
chop all at once without making a mess,
or until we are a field of throats blooming all the
same words at the same time, the way people
join together to pray—as if God were a
little deaf and can only hear us if we’re all
speaking at once, and a little nearsighted,
so he can only see us if we stand on each
other and form a human pyramid in the exact
shape of a person struggling to build a pyramid.
Wound Up Wrong
“What do you do?” asks the Russell Brandish/hipster-adman at a deadly L.A. party (full of workmates from a non-union shop). It’s this twit with a top hat’s follow-up question to the antihero of Emily the Criminal—played hard by Aubrey Plaza—who’d deflected his first prompt about her art-life. Emily/Aubrey gives it to him straight: “Credit-card fraud.” No doubt she’d’ve been better off quoting Jesus (the basis for my own once-and-future response to what-do-you-doers?): “Consider the lilies of the field, how they grow: they neither toil nor spin…” But Aubrey/Emily is no Lilly. (She’s no shrinking Violet either.)
The Organization Man: Franz Kafka, Risk Insurance, and the Occasional Hell of Office Life
Most readers know Franz Kafka as the reclusive author of stories and novels that have since become monumental works of modern literature. Some readers also know him as a bureaucrat who, unhappy in his office, castigated the “hell of office life.” But few know that he rose at the end of his life to the position of Senior Legal Secretary at the Workmen’s Accident Insurance Institute for the Kingdom of Bohemia in Prague (called, after 1918, the Workmen’s Accident Insurance Institute for the Czech Lands). Kafka was no Bartleby the Scrivener, no harmless office drudge. Rather, he was a brilliant innovator of social and legal reform in “the Manchester of the Empire,” which at the time of Kafka’s tenure, between 1908-1922, was one of the most highly developed industrial areas of Europe.
With These Hands
I was going to start with a question, whether it’s possible to be self-conscious about your hands, but of course the answer is yes.
Woman Goes to Work
(a found poem, except for line 4)
When the rubber tree-tapper did not return,
her husband searched and found her sandals, jacket,
headscarf, and work tools.
This is not a metaphor for capitalism.
Millionaires Tax on the Ballot in Massachusetts PASSES!
Every step of real movement is more important than a dozen programmes. Karl Marx
Christy Martin: A Survivor’s Story
On November 17, 2001, WBC world junior welterweight champion Christy Martin outboxed Lisa Holewyne over ten rounds at Mandalay Bay casino in Las Vegas, which was unusual because Martin was a self-admitted slugger, not a boxer. At the weigh-in, when Holewyne had wished her good luck, Martin answered, “Good luck getting knocked the fuck out.”
On November 25, 2017, the two women were married by a justice of the peace in Austin, Texas, where they currently live.
The marriage is one of the happier events chronicled in Fighting for Survival, by Christy Martin and Ron Borges. The book is subtitled “My journey through boxing fame, abuse, murder, and resurrection.”
“Stay with it”: Letter from a Disaster
Dear friends,
I write this letter fully aware of the continued devastation of the war in Ukraine, with so many serious consequences and even worries of nuclear war.
I am also very shocked and saddened by the tremendous destruction and loss of life by Hurricane Ian in Florida.
I am following with deep sympathy the destruction by the powerful storms devastating most of the countries in Central America, and the ongoing plight of so many refugees in that area and worldwide.
If you are reading this, it’s because the people of Haiti are also important to you, as they are to me. I have never in my life seen such a confluence of destructive forces as are afflicting the people here. There really are no words to describe what is happening.
Looking a Nightmare Square in the Eye
I recently read Josh Rothman’s The Ledger and the Chain: How Domestic Slave Traders Shaped America. This is one of the best history books that I have ever read.
One Eyed Monsters (An Excerpt from “The Ledger and the Chain”)
Per Timothy Tyson (in his review above): “Martha Sweart, Martha Sweart, I will never forget her.” Neither will you if you read the following excerpt from Joshua D. Rothman’s The Ledger and the Chain: How Domestic Slave Traders Shaped America.
A purchasing agent working for Rice Ballard passed through the central Virginia town of Charlottesville and bought sixteen-year-old Martha Sweart for $350. That was between $50 and $100 more than slave traders were typically spending for young women early in 1832, but Ballard’s agent believed a buyer in the lower South might pay a premium for her.
Neither Slave Nor a Master
What follows was first published as the Afterword to the facsimile reissue of Conversations with the Dead (Phaidon, 2015). (Available here.) Reprinted in Danny Lyon: American Blood: Selected Writings 1961-2020, (Karma Books, New York).
.
Sugar Ray: the Art, the Man
Think of Pablo Picasso. Think of Miles Davis. Think of Sugar Ray Robinson.
All three were artists in their chosen realms, who expanded those realms into previously unknown dimensions. All three were difficult and ambiguous and contradictory. All three answered only to themselves in the mysterious ways of genius. Tough nuts to crack.
Herb Boyd, with Ray Robinson II, has a go at cracking the diamond of a nut that is Sugar Ray Robinson in Pound For Pound, a Biography of Sugar Ray Robinson.