What follows is an excerpt from the late Stuart Hall’s Familiar Stranger: A Life Between Two Islands (2017). First is posting it with the permission of Duke University press which holds the copyright.
“Everybody fucking knew” about Harvey Weinstein’s predatory side says screenwriter Scott Rosenberg in a self-lacerating post in which he called out complicit Hollywood. Rosenberg blamed himself and bigger players for their not-knowing stance toward the monstrous mogul. Rosenberg’s rant on the low motives that kept all of them on Weinstein’s team seemed spot on, but as I read him last night, I found myself resisting his larger claims for Weinstein’s cultural import:
Cultural Studies 1983 (2016) Stuart Hall; Duke University Press
Familiar Stranger: A Life Between Two Islands (2017), Stuart Hall, (Editor, Bill Schwarz); Duke University Press
Resistance Through Rituals (1976) S. Hall and T. Jefferson; Hutchinson & Co.
“Subcultural Conflict and Working Class Community” Phil Cohen in Culture, Media, Language (1981) edt. by S. Hall, D. Hobson, H. Lowe, P. Willis; Hutchinson & Co.
Meantime (1984) Directed by Mike Leigh
A Running Jump (2012) Directed by Mike Leigh
“Handsworth Revolution” on the lp Handsworth Revolution (1978) Steel Pulse
“Sonny’s Lettah” on the lp Making History (1983) Linton Kwesi Johnson
“Riots, Rhymes and Reason” Linton Kwesi Johnson at www.lintonkwesijohnson.com
Here he is in his official state portrait—the serene half-smile; the piercing blue eyes; the buff pecs taut against a spotless white shirt and the perfect cut of his navy blue suit, signs of purity amid authority and service.
Fr. Rick Frechette is a medical doctor and Catholic priest who has been working in Haiti for a more than a generation, running hospitals and social programs in Port-au-Prince as well as a Nuestros Pequenos Hermanos orphanage on the outskirts of the capital. He wrote the following epistle to his family and supporters last week.
Adapted from the 17th annual Bozeman Lecture at Sarah Lawrence College.
In a previous article here, I took on what I called “Trumpism on the Left” with a focus on Stephen Cohen’s defense of the Trump-Putin bromance in The Nation magazine. A friend of mine suggested that the title of the article should have been “The Strange Case of Stephen Cohen,” implying perhaps that “Trumpism on the Left” was an unjustified generalization from a single example. Cohen, as I noted fleetingly, is not alone in his affinity for Putin and by extension Trump. What my piece lacked was the context of other advocates of the two leaders, which I try to provide in what follows.
C’era una volta…ed ancora un futuro. Bisogna far che la vita sia bella, in quanto possibile. Sempre sperando.
[Once upon a time … and still a future. We need to make life beautiful as much as possible. Always hoping.]
Two recent entries on Trump & Russia from the author’s journal.
If Hyman Roth Could See Us Now
How to understand Putin? And Trump? Look to the movies; look to Godfather II.
An Interview with Liam Vaughan, the co-author, with Gavin Finch, of The Fix: How Bankers Lied, Cheated and Colluded to Rig the World’s Most Important Number.
Two poems by Juan Gelman. (The post directly below treats Gelman’s life and times.)
Do you remember when we used to go and dance at those punk rock shows/it feels so…long ago/do you remember that night when that skinhead threatened me with my life/ you should have realized right then…that something…something went quite right/we were just teenagers, looking for a scene/based upon simplistic notions of equality/oh ain’t it a fucker when you discover fuck when you discover that it’s all based upon slightly altered versions of the same old crap. —The Casual Terrorist
Nine Theses/Nine Lives
1. When did the Enlightenment die? 2. What I really mean is, When did the Enlightenment die for the left? 3. (And I don’t mean the so-called “White Jacobin” left, the left of white terror, which takes as a pseudo-Leninist occasion the alt-right mainstreaming of Foucault and the Thule Society to declare themselves the sole bearers of the torch of the Sokal Affair: though naturally there’s always a bridge, a hallucinogenic path, between fascism and the Enlightenment, and that bridge could be called John Locke or Jorge Luis Borges, Vilfredo Pareto or Peter Thiel’s hemophilia).
Molly Klein is working on a piece for First that links Trump’s spectacles to “a war on rationality that began in Baltimore in 1966 with the Johns Hopkins conference on structuralism/post-structuralism, which introduced the mountebanks Lacan and Derrida to US academia.” In the meantime, here’s a taste from her recent demolition of Slavoj Žižek, “The Protocols of the Learned Lacanian of Slovitzie,” published this year in a Belgrade academic journal. Klein’s clarity about “ecstasy of the bullying” makes her a national resource for Americans in our time of the Don.
The very heart of the very last hour of the daily rhythm of prayer, both in the very ancient and contemporary rites of the liturgy of the hours, is psalm 91, especially these lines:
“For you he has commanded the angels,
to keep you in all your ways,
they will bear you upon their hands,
lest you strike your foot against a stone.” Ps 91:11-12
I learned some deeper meanings to these words in the last weeks. Bear with me, as I try to explain.
On my way to Andre Techine’s Being Seventeen, I stopped by Patisserie Claude for savory take-out and felt nicely sated as I found my seat in the theater, but the film stoked other appetites. (We cannot live by quiche alone, not even Claude’s.) Techine’s french lessons sky beyond “grub-first, then ethics” materialism. His scenarios feed your head and your heart, tuning every organ to desire’s pitch. I sensed Being Seventeen would be one of Techine’s full body-and-soul workouts early on when Thomas (Corentin Fila)—lovesome, bi-racial bully-boy (who’ll end up taking it like a man once he beats his fear of being gay) humps it up the mountain, past where his adoptive parents have their farm. The snow looks freshly fallen—perhaps it’s not that frigid?—and his secret brook hasn’t frozen over yet. He strips and dives in…
Since the day after Hurricane Matthew, we have been scrambling to respond to many pleas for help, mostly from friends.
One of those pleas has been a pretty continuous call from Fr David Fontaine, a brother priest who was begging for help for three cut-off and isolated areas: D’Asile, Grand Boucan and Baraderes.
Maybe it is a good time to revisit the story of Christopher Boyce. Certainly Open Road Media, which just re-issued an E-book of Robert Lindsey’s The Falcon and the Snowman (1979), thinks so. I had not read the original, but I’d seen the movie — Timothy Hutton as Boyce (The Falcon) and Sean Penn as Daulton Lee (The Snowman). Now, having mastered Adele’s Kindle, I’m down with ORM’s decision.
Meredith Tax’s A Road Unforeseen: Women Fight the Islamic State is a book of revelations about life during wartime in Rojava—the autonomous region in Syria led by the Democratic Union Party (PYD), which is linked to (what Tax terms) the “Kurdish liberation movement network.” Readers should be inspired by PYD’s experiment in secularism, radical democracy, pluralism and feminism. Tax’s reporting certainly gave me a lift. Her take on Rojava, though, may be a little too rosy. In this review, I’ll try to touch on what’s iffy about her positivity without undercutting her effort to cultivate solidarity with Middle Eastern women who fight the Islamic State.