Again

The Ten Dead Adults In The Supermarket
Are Pushed Aside By Nineteen Children

who smile naively from photographs –
Her proudly-raised Honor Roll certificate,
his “Change Maker” t-shirt.
For Christmas cards, politicians
pose their families with guns.
The guns shine. The guns are bleeding
the children again. Again
and yet again, rounds spent in endless repetition.
That church or concert hall. This classroom
with floors bleached, swept clean
of hair and bone. What needs to be done
not done. “The school had too many doors.”
Holes blown through their hearts, the parents
buy wood boxes, carved stone.

Chill

Outside our thick locked door, the air grows cold.
Fall plays songs of loss. For an encore, cold.

Cascade of tangerine and neon pink –
The dying sun departs in splendor. Cold

nights for the too-long married. The furnace
breaks. More than metaphor – the air grows cold.

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In Praise of Secular Jewish American Lyric Commentary: Why Bob Dylan and Louise Glück are 21st Century Nobel Laureates  

Seven decades after what Benjamin Schreier calls, “the dominant event of Jewish American literary history,” which is the  “‘breakthrough’ – the irruption in the 1950s of Jewish American writers like Bernard Malamud, Philip Roth, Saul Bellow, and Grace Paley into the heart of American cultural scene,” two Jewish American lyricists have received the Nobel Prize for Literature in a span of four years: Bob Dylan (born Robert Allen Zimmerman in Duluth, Minnesota in 1941) in 2016 and Louise Glück (born in New York City in 1943 and raised on Long Island) in 2020 (Schreier, 2).

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New York Ghazal

Immigrants, artists, tycoons seek New York.
Bloodstains from aborted dreams streak New York.

To friends from elsewhere, even the name awes.
Their eyes widen when I speak of New York.

Fickle city, we moth-fly toward your light.
You bless the rich, feed on the weak. New York

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Reverse Ghazal

(for B.)

Secrets that lips hold back, the body shows.
Be gone, Sun. In moonlight, the body glows.

Rittenhouse sobs he shot in self-defense.
Entry wound in the back, the body knows

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