Jolene

I once worked in a factory with a girl named Jolene. We were 17 and I had lied to get hired; we couldn’t legally work in the plant for another year.

She was white, from somewhere around “Taylor-tucky”, a name that mocked the southern roots of working class whites of the suburb of Taylor, Michigan. I lived in Detroit (still do). I was black, and I still am, as a matter of fact. Without the factory we’d never have met.

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Blade

Hunter Harris and the rest of us who laugh along with her may need help at the Pearly Gates. Until then, though, bless Ms. H. for failures to forbear such as the following…

Normalize Being Hot And Not A Poet

Kacey Musgraves’ boyfriend, Cole Schafer, is a poet (derogatory). The poetry is not what I would describe as “good.” He appears to be releasing more of it:

 

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Hoping this is a promise!

False Memory

For members of my generation, tales of the Mustang they should have hung onto are almost as heartfelt as those of the Mickey Mantle cards their mothers tossed. So nothing about Maggie’s story surprised me, until her assertion that hers was a ‘63. “The first Mustang was a ‘64 ½,” I told her. A couple days later, she came back to the café and asked, “Did Pontiac have a Firebird?”

Indeed, Pontiac did – but it debuted in 1967.

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Butt Beautiful

Back in the day, the New Yorker was set to run the following letter in praise of an article on women’s basketball, but it got squeezed out. Still seems on point so…

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Better than Heaven

You could start with “Like Someone in Love” or “You Must Believe in Spring” but I’m pretty sure “Peace Piece” is Bill Evans’ summit. Forget me though. Just listen up now—those thrill-trills in the piano’s higher register might make you forget how hard it is to die.

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Bad Actors

Hunter Harris notes there’s something “sexy” about not having a take on the Oscars’ slap heard round the world. (Though she goes into the gory in her gossip column.) FWIW, C. Liegh McInnes, who’s often posted in these pages, had the best analysis of what went down: “Public buffoonery is embarrassing, especially when the buffoon makes a mess at a place where, just a few years ago, folks were begging to be invited.” He was firmly in Camp Rock, pointing out how Smith’s act will make him a “respected person, a real n-word” among the benighted in black communities.

Smith wasn’t the only bad actor on parade that night in L.A. per this report from In These Times:

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What’s New (Always)

My Brilliant Friend has returned. Beyond love this show. What women say to each other when only they bare speaking, what they feel about each other throughout their lives, the prints they leave on the skin of other women, there is no more interesting contemplation. A world that is the world behind a door, past a clearing, down a ravine. Lenu’s mother, pointing to her belly while her daughter stares off, smoking a cigarette, “You’re not better than us, you came from here. Where do you think your brains come from? I could have done what you did if I’d had your opportunities. I would have done better.” A few moments later to the daughter, “You can’t stand me.” Lenu, “Yes.” The mother, “Me, neither.”

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A Year in Legal Limbo

In Lollipop, Bob Levin has written a totally honest “memoir” of his year as a VISTA lawyer in Chicago from September in 1967 to September in 1968.

It is totally honest because, as he says in his introduction, “I have made up up (almost) all names of individuals and organizations. I have manufactured dialogue. I have composited some characters and omitted significant others. I have altered time sequences and appropriated events which occurred to others as my own. Some of what I believed happened did not. Some of what I thought I’d made up, I learned from my journal, occurred.”

This is all in legitimate service to telling a story that needs to be told of one young lawyer’s experiences in sixties’ Chicago, that city of Sandburg’s broad shoulders and the Daley administration’s narrow and dangerous mind.

Lollipop might seem a flippant title for a book that at its core is a serious consideration of mid-twentieth America in all its shabby glory. It comes from the following statement by the Black civil rights leader and scholar Roger Wilkins: “What we are talking about is changing the way people live. Everything else is band-aids and lollipops.”

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