Las Vegas/Sutherland Springs: Heightened Contradicktions

In our numbed reactions to constant mass shootings we’re pulled into tracking which ideological side has produced more homicidal maniacs. Our wish to absolve ourselves of responsibility hints that we’re feeling it in some way. The inkling of collective guilt we get when confronted by news of horrific violence isn’t right on exactly, but it shouldn’t be dismissed. It’s a complement to empathy. We wish we could do something. At the same time we unconsciously wonder at what we did. Unexamined and then repressed this anxiety may, in turn, devolve to a less than humane rush to determine a shooter’s race or politics—a habit of mind we’d all be better off ditching.

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Fox and Foes

Imagine that you are writing a book which opens with your central character, “a powerful, 6’2″, finely dressed man of proud stature and handsome face,” leaping “like a lion” from a bus to save a woman from two knife-wielding thugs. Imagine that, within the next page, you have further described your protagonist as “a musician, and artist… quick in mind and step… (with) an unusual grace of movement…  magnetic charm,” and a “creamy” skinned Afro-American, bearing a “noteworthy resemblance” to Clark Gable.

Imagine that your book is a first-person narrative, whose central character is describing himself.

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General Kelly’s Devolution

General Kelly is back in the news.  He yesterday announced that he has no reason to apologize to Congresswoman Wilson, also that Robert E, Lee was a hero, since “It was always loyalty to state first back in those days.”  This last pronouncement would have startled both the 115, 000 Southern whites who enlisted in the Union Army and their 180,000 or so black comrades, the vast majority of them southern, who also bore arms for the United States.

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Feasting on a Fiend

And so, the monster that is Harvey Weinstein has been banished, and soon, perhaps, he will be incarcerated. Troops of celebrities have rushed to condemn him, some claiming ignorance about his m.o. and nearly all expressing horror. It’s been a long time since the word disgusting was used by so many men who, if the tropes of pornography are to be believed, harbor fantasies very close to what Weinstein acted upon. I suspect that the conflict between what men and women feel sexually (which isn’t a single thing) and what we feel politically (which is) reflects a climate of anxiety amplified by social media and by newspapers and TV shows that have everything to gain from scandalizing. The result has been a two-edged sword. There’s a real struggle against sexual oppression and a more ambiguous fostering of uneasiness about sex that is potentially as oppressive as the situation it is meant to address.

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Power Trips & A Lover’s Transport

“Everybody fucking knew” about Harvey Weinstein’s predatory side says screenwriter Scott Rosenberg in a self-lacerating post in which he called out complicit Hollywood. Rosenberg blamed himself and bigger players for their not-knowing stance toward the monstrous mogul. Rosenberg’s rant on the low motives that kept all of them on Weinstein’s team seemed spot on, but as I read him last night, I found myself resisting his larger claims for Weinstein’s cultural import:

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Stuart Hall’s Legacy (Part One)

Cultural Studies 1983 (2016) Stuart Hall; Duke University Press
Familiar Stranger: A Life Between Two Islands (2017), Stuart Hall, (Editor, Bill Schwarz); Duke University Press

Resistance Through Rituals (1976) S. Hall and T. Jefferson; Hutchinson & Co.
“Subcultural Conflict and Working Class Community” Phil Cohen in Culture, Media, Language (1981) edt. by S. Hall, D. Hobson, H. Lowe, P. Willis; Hutchinson & Co.
Meantime (1984) Directed by Mike Leigh
A Running Jump (2012) Directed by Mike Leigh
“Handsworth Revolution” on the lp Handsworth Revolution (1978) Steel Pulse
“Sonny’s Lettah” on the lp Making History (1983) Linton Kwesi Johnson
“Riots, Rhymes and Reason” Linton Kwesi Johnson at www.lintonkwesijohnson.com

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